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Recorded mostly during the world tour for Tusk, FleetwoodMac Live delivered a double-album’s worth of exhilarating performances that included massive hits like “Dreams” and “Go Your Own Way,” “Rhiannon,” and “Don’t Stop.”īack in April, Rhino gave the band’s live debut a much-deserved encore with a new 3-CD/2-LP collection that features a remastered version of the original release plus more than an hour of unreleased live music recorded between 19.
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When Fleetwood Mac released their first live album in December 1980, it captured the legendary band’s most iconic lineup on stage demonstrating the full scope of their collective, creative powers. Josh Jones is a writer and musician based in Durham, NC.Just saw an Instagram posting by fleetwoodmacnews that the CDs and the LPs will be available separately June 25:įleetwood Mac Live: 3CD and 2LP Sets to be released separately. Watch Classic Performances by Peter Green, Founder of Fleetwood Mac & the Only British Blues Guitarist Who Gave B.B.
How Fleetwood Mac Makes A Song: A Video Essay Exploring the “Sonic Paintings” on the Classic Album, Rumours
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Stevie Nicks “Shows Us How to Kick Ass in High-Heeled Boots” in a 1983 Women’s Self Defense Manual
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(It’s part of their Audible Originals program.) If you’re not an Audible member, you can always sign up for a free 30-day trial here. But once they debuted on television, she knew exactly how to sell herself to audiences.įYI: If you happen to be an Audible member, you can download Rob Sheffield’s audiobook, The Wild Heart of Stevie Nicks, as a free additional book this month. In one of their first live concerts with the two new members, at the Capitol Theatre in New Jersey, above, McVie opens the set with “Get Like You Used to Be” and “Spare Me a Little of Your Love.”īuckingham shows off his impeccable blues and country chops, and Nicks sits in on backing vocals, then takes the lead three songs in on “Rhiannon.” Other new songs in the short setlist include “World Turning,” sung by McVie and Buckingham, and the Buckingham-led “Blue Letter” and “I’m So Afraid.” (They reach as far back in the back catalog as Peter Green’s “Green Manalishi.”) It’s clear at this point that the band doesn’t quite know what to do with Stevie Nicks. While they may have been promoted as a Stevie Nicks-centric entity, Christine McVie still played a major singer/songwriter role, as did Buckingham. But Stevie Nicks provided the voice and electrifyingly weird energy they needed to become their best new selves.īig, dramatic TV appearances were one thing, but the band’s transition from British blues rockers to pop radio superstars wasn’t a total eclipse of their past. She keeps pushing the song harder, faster, as if she’s impatient to prove the new Mac is a real savage-like rock monster, now that she’s fully arrived.” Buckingham was the right guitarist at the right time in the band’s evolution, stepping into several huge pairs of shoes to help them recreate their sound. “She’s the new girl in a long-running band,” writes Sheffield, “but she’s here to blow all that history away. They have “heard ‘ Rhiannon’ on the radio,” have maybe bought the record, but “they’ve never seen her rock.” Then they did-explaining the origins of “Rhiannon” on The Old Grey Whistle Test (top) before launching into the “song about a Welsh witch,” and going full-on new-age diva with super-feathered hair on The Midnight Special (above). Her magnetism was undeniable, her songwriting bewitching, her stage presence transformative.įans seeing Nicks onstage with the band after the release of 1975’s Fleetwood Machave “no idea who Stevie Nicks is,” writes Rob Sheffield at Rolling Stone.
Not only did the new five-piece put aside huge personal conflicts and an already legendary history to make some of the greatest pop music ever written, both collaborating and letting individual songwriters take the lead, but they had the smarts to recognize the enormous talent they had in Nicks, who first joined the band at Buckingham’s insistence then quickly became its star frontwoman.
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